Los Angeles documentary filmmaker Eric Minh Swenson tells the story of Millie Brown's Rainbow Body and her supporting cast in this short video. Eric focuses on documenting the LA art scene through film, photography, and writing. Within the last three years, he's produced nearly 400 films on the art world and is always a familiar face amongst the crowds.
“Film is like a performance. it is permanent you can't alter the moment. Sure you can alter the negative in the dark room, but the negative is this document that can't be altered. Structure it however you’d like, I just enjoy the process and ultimately I want to make art that I like to look at. Nothing can really touch a pristine silver gelatin print in my mind,” Jacqueline Elaine Gomez.
Jacqueline Elaine Gomez is a Los Angeles-based photographer who explores nature and femininity within a body of work that radiates with the light of a well-tailored shot and exploratory exposure.
Art comes from an expression of feeling, a documentation of a place in time, and a statement. There’s a sense of release when you’re creating, because you’re working through thoughts and releasing them. In the middle of what was my most painful injury, a tiny finger fracture that radiated pain through my entire arm, I think I found the cure. When you’re hurt, make art out of it. Whether it’s an injury, injustice, or broken heart, turn the camera around and capture it. In the spirit of Nan Goldin and in dedication to my beloved Andy, here is a photograph worth every tear.
Speaking of lone rangers wearing cowboy hats in rugged landscapes shot vertically, the Richard Prince exhibition reminded me a lot of my friend David Tamargo’s Urban Hunter. David and I went to school together, and I will forever be a fan of the way this guy can shoot a landscape. Long exposures, Leica 35mm film, color and dark rooms made David the artist he is today. I’m happy to see such a strong correlation between his recent work and that of Prince’s. Not that it surprises me, but it’s always inspiring to see these types of connections. They’ve got their finger on the pulse of something, and I think David’s got a good story to tell.
Urban Hunting is the bigger picture, it focuses on creating and documenting situational fantasy where Tamargo and his characters hunt/interact with man-made animal sculptures found in urban environments. The Urban Hunter focuses on the main character of the story. He’s shot vertically and almost identical in composition as Richard Prince’s Cowboys. There’s an interesting similarity between the two, including an element that inspires fashion. I’m working with David on an editorial series, which we’ll be releasing sometime next year. If friends are a reflection of who we are and how we think, then I couldn’t be more honored to be a friend and a fan. I’ll leave you with his perspective on Urban Hunting and a taste of his work. Pay attention to the composition, lighting, color and saturation in his night shots. There’s a whole lot of magic happening in there.