Nicole Ehrlich's Annual Celebration of Women In Art honored the prolific Mickalene Thomas with a signing and conversation of her latest book Muse. Thomas is a contemporary artist based in New York whose work challenges concepts of beauty, race, gender and sexuality. Working across a variety of mediums from performance to painting, photography, and collage, Thomas is a visionary artist that’s bringing women of color into the forefront of contemporary art. Her latest book Muse, presents a collection of photographs of the women and fellow photographers who continually inspire her. Thomas’ groundbreaking presence in contemporary art has paved the way for female artists through empowering imagery of black women. She gives power to the feminist perspectives and women of color. Thomas has been exhibited in major galleries and institutions around the world and is included in the permanent collections of MoMA, the Guggenheim and the Brooklyn Museum.
Panel Discussion: “Women in Art: Pop-Culture, Collaboration, and Collecting”
Highland Gardens Hotel
7047 Franklin Avenue | Hollywood
Moderated by Nathaly Charria (curator and art advisor) and including panelists Nicole Ehrlich (Producer, Board of Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art), Michelle Papillion (PAPILLION, Los Angeles), Susan Hancock (Collector), and Kate Durbin (New Media & Performance Artist)this panel promises to be a conversation about Women in Contemporary Art, specifically looking at Pop-Culture, Collaboration, and Collecting. The panel considers various facets of contemporary art and each panelists’ role within a changing landscape.
Photos courtesy of Rollin Leonard.
Los Angeles documentary filmmaker Eric Minh Swenson tells the story of Millie Brown's Rainbow Body and her supporting cast in this short video. Eric focuses on documenting the LA art scene through film, photography, and writing. Within the last three years, he's produced nearly 400 films on the art world and is always a familiar face amongst the crowds.
Special thank you to our partners, sponsors, and friends including: Nicole Ehrlich, Jay Luchs, Flaunt Magazine, Casamigos Tequila, Caliche Rum, Perrier, Walloo, LA's Independent Creatives, and the woman behind my impeccable style that evening Niki Schwan and Leon Yeshua on hair.
Photos courtesy of EMS, Daniel Silwa, and Evan Barsky. More available at:
Words / Interview by Justin Moran for Bullet Magazine
British performance artist Millie Brown—famous for puking on Lady Gaga during the singer’s 2014 SXSW performance—will unveil her fourth solo exhibition in Los Angeles on April 10. Presented by Nicole Ehrlich and curated by Nathaly Charria, “Rainbow Body” will feature whimsical paintings all created “using almond milk, food coloring, stomach and hands”—a more pleasant way of referring to Brown’s unusual practice, where she vomits colored milk directly onto canvases (Amazing). This particular group of paintings pulls inspiration from Brown’s new home in California, collectively telling “the story of the Los Angeles sky, its past and its present, its light and its dark.” We caught up with Brown to dissect this exhibition, discussing abstract expressionism, enlightenment and Buddhist monasteries:
Millie Brown’s “Rainbow Body” opens with a private reception on April 9, hosted by Flaunt Magazine, and will run through April 23 at 8472 Melrose Place.
On “Rainbow Body:”
“‘Rainbow Body’ is a reflection of my time here in California. The palette’s inspiration came from the skies, shapes, architecture and energy of the city. Each of these paintings embodies that energy and my presence within it. In many respects, my paintings are the climax to a solitary performance of their own creation. Using my body to paint from the inside out with stomach and hands. The process is of equal importance to me as the result on canvas. I relate to the abstract expressionism movement, which in some senses was the birth of performance art itself. The artist behind the painting became a performer, projecting his/her self onto the canvas and opening up a whole new way to use the tools we possess.”
On the sky:
“Every day I climb a mountaintop, sit and meditate, while looking over the city and into the sky. I’ve become more fascinated by the sky than ever before in my life. The colors and combinations of shades are different from anywhere else—they inspire me to recreate their infinite beauty through myself and body.”
On living in Los Angeles:
“I’ve become used to working and creating in London for so long: The fast pace, the grayness and raw creativity surrounding me. I love it and thrive within that environment. In LA, it’s the polar-opposite, yet somehow a perfect complement and in some ways an antidote to what I’ve become accustomed to. I’ve spent more time in nature here and that’s influenced the inspiration within my work. I feel people in LA have a very different outlook on life and encourage ambition in others more than other places I’ve lived. I don’t create unless I’m in the right headspace to create a positive piece of work. I think this city has given me a more positive outlook and that translates on to my canvases.”
On her process:
“I used the same process to create these pieces as my previous ones, but this time I used a different technique with my hands and dripping to manipulate the paint, rather than leaving the splatters where they fell. I wanted to see all color on ‘Rainbow Body’—color from side-to-side. I wanted to get lost within the color-scape and movement.”
“Every performance I’ve ever conceptualized has pushed my own physical boundaries, opening up a vulnerable and often uncomfortable place mentally. I believe we can only grow mentally and spiritually by exceeding these self-made boundaries. Although we are physical beings existing in this physical realm, we are also way more powerful than we believe. Our minds are truly incredible tools. Every time I push past the discomfort into this state of mind, I find a sense of enlightenment from within—a place where my creative thoughts have no limits and my mind feels liberated.”
On Tibetan and Buddhist Theology:
“The concept of ‘Rainbow Body’ is deeply rooted in Tibetan and Buddhist theology. It is the observation from a third person’s perspective of another being gaining complete knowledge: Enlightenment. The person observes the other as a spectrum of colors all embodying a rainbow presence. My performances have roots in some spiritual practices. Much of my childhood was spent in Buddhist monasteries and spiritual retreats—I’ve drawn from these experiences, but do not relate personally to any one religion. I think it’s more powerful and natural to draw from all, taking the good from each as inspiration for life. These elements often seep into my work.”
LOS ANGELES, CA — Natology is honored to announce this forthcoming exhibition by Millie Brown.
Rainbow Body, presented by Nicole Ehrlich and curated by Nathaly Charria is the fourth solo exhibition by Millie Brown. An evolution of Brown’s most recognized performance work, Rainbow Body surveys the artist’s new home in Los Angeles. On view April 10 - 23, 2015 at 8473 Melrose Place, LA 90069.
Developed from the artist’s iconic yet non-traditional methods of painting from the inside-out, Rainbow Body presents a post-contemporary study on abstract expressionism within a California palette.
Using almond milk, food coloring, stomach and hands, Brown creates aesthetically whimsical paintings with a deep underlining of raw human emotion. Each piece tells the story of the Los Angeles sky, its past and its present, its light and its dark.
Viewing the body as a vessel for spiritual practice, Brown pushes her physical and mental boundaries to reach a state of enlightenment from which creative expression and healing derives.
Rooted in Tibetan Buddhist theology, Rainbow Body is the phenomenon of viewing spiritual transcendence from a third person perspective. Rainbow Body is based on three wisdoms, representing the three categories of paintings: ground, presence, and energy.
OPENING RECEPTION with FLAUNT MAGAZINE.
THURSDAY APRIL 9, 2015 | 7:30PM - 10PM
It is an honor to invite you to one of Art Basel Miami 2014's most impactful experiences. My dear friend Nicole Ehrlich and Rocket in My Pocket present the second annual Celebration of Women in Art : Creative Royalty on Wednesday December 3, 2014. In a truly collaborative spirit, Nicole has brought together some of the most talented artists, performers, entertainers, and patrons to celebrate our presence and give back to those who elevate it. Tickets at the link below with a special rate for Natology's friends and family. All proceeds will go to the Brooklyn Museum's Elizabeth A Sackler's Center for Feminist Art and School of Doodle.
Tickets are available: https://womeninart.ticketsocket.com/
Special rate enter “friendsandfamily"